Wednesday, 20 March 2013

"He said, no varnish can hide the grain of wood" - Initial designs for Miss Havisham

In the majority of 'Great Expectations' adaptations , Miss Havisham is often portrayed in a very similar way; extremely aged, haggard and covered in dust and cobwebs. I wanted to create two alternatives to the standard Miss Havisham look though, so after discovering that the character could be any age, but old enough to look aged to the young protagonist Pip, I created these two initial designs for Miss Havisham.



Miss Havisham Interpretation 1:      Aging

Again this is more of a ‘Classic’ style towards the adaptation of Miss Havisham – with the contouring and use of latex aging this would give the character the well known haggard look, although to make it slightly more contemporary the eye make up has a slight flick to the eyeliner and the pale pink/peach coloured lip would then be a subtle addition so that the eyes and the facial contouring were the main aspects instantly viewed by an audience.










Miss Havisham Interpretation 2:        Dramatic



This is a more dramatic and attention grabbing design, so to be able to see on the template the eye make up appears extremely dark, however to create this look I would be showing a subtle design of a clearly ‘worn’ and emotional make up, where due to the fact the character has been abandoned at the alter the mascara running/tear marks would be visible on the face yet due to the time frame since that incident and then the fact that she is still in this manner of dress in case her runaway lover does ever return to her the eye makeup would look like she has reapplied it every now and then but never in the same manner as it would have originally been and always on top of the existing so the build up/flaking make up would need to be visible, along with this slight contouring to show age compared to the other characters, but not extreme enough to make her into the usual elderly thought of woman and a neutral lip to showcase and draw attention to the eyes.

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